The End of the World

"I'm going, don't worry I'm going. I couldn't find the way, everything is gone. Luiso, really everything is gone..."

After a corporate party she barely remembers, Luisa wakes up in an atomic bunker. The explanation is simple: a nuclear war has broken out outside. Her savior is Mark, her colleague who handles technical facilities at work - and the bunker. The only contact with the outside world is an old, half-broken radio. As days pass, the bunker echoes with the clinking of tin cans, but the radio remains silent. Food supplies, games, and patience are running out. Is this really the end of the world?

A modern psychological drama exploring human character, power, and the desire for control. Where is the line between madness and reality? The story unfolds to the accompaniment of original music, choreography, live singing, and cello playing.

The performance is staged in arena theatre - that is, on a central stage surrounded by seating from all sides (theatre-in-the-round).