Jane Schoenbrun double feature

At three in the morning you stumble upon a film on television that you don't recognize, yet you have the feeling you must have seen it before. This unsettling sense of strangeness and familiarity runs through the work of Jane Schoenbrun - one of the most remarkable voices in contemporary cinema. In her films, she transforms fan obsession into a personal statement about identity and desire, where imaginary worlds sometimes feel more real than reality itself.

The double feature brings together the films We're All Going to the World's Fair and Sex and Death in the Camp Miasma. Film and television worlds become both refuge and obsession, trap and escape - reality dissolves in the glow of grainy screens and the boundary between memory and present moment blurs.